Tuesday, 30 October 2012


Shooting the Truth: Photojournalism




What is the role of photojournalism?

What separates photojournalism from other forms of photography is that it used for the reporting of news through means of photography. These photographs can be found in the media printings; newspapers, magazines, internet reporting and on television. It also plays a role in recording historical information. The earliest forms of photojournalism us during the Crimean War in the mid-19th century. Photographs were taken of soldiers in the field in action. Since then. the technology of the camera had improved rapidly from a box camera to portable cameras. This was a major benefit for newspapers that wanted to capture developing stories as it was happening in the moment. It allowed for newspapers to get the story faster than others. Photojournalism gives a visual image of issues that are current and gives an emotional connection with the public with the image alone or with an article.

Photographers that gained attention during the 1930s to 1950s were Robert Capa and Alfred Eisenstaedt.



Robert Capa



Alfred Eisenstaedt

Robert Capa is most famous for a photo he took during the war of a GI landing on Omaha Beach on D-Day.



Alfred Eisenstaedt is a German-born American photographer that was highly recognized for his photograph of the V-J Day celebration.





Are there rules that photojournalists should follow? Why? Why not?

There are rules that photojournalists should follow. Photojournalists follow a code which guides them through their work. The set of guidelines that make up this ethical code can vary, depending on what region, country, or even what company a journalist works for. These codes are put in place in order to maintain the integrity of the photograph, as well as to maintain the trust of the viewers. There are rules that tend to reoccur in different journalists ethical codes, which include:

-The photograph must be accurate and it must give a fair representation of the context of event to the public.

-Photographs should not be staged; if they are there must be clear indication given in order to notify the viewer, therefore preventing the viewer from being misled by the photograph.

-Any photo-manipulation done to the photograph must not degrade the integrity of the photo, or the context in which the photo was taken (the degree of manipulation for photographs can vary for different codes; some allow color correction for example while others do not).

Though photojournalism gives off a type of serious form of photography because it must follow the guidelines of professional news it slowly began to develop an artist look. By the 1970s the photos looked like an art and still expressing the message it had to. One British photojournalist that was most recognized for his unique artist photos is Don McCullin.


Don McCullin

He captured images of the lower class society; the unemployed and the impoverished.





Is the ethics of taking journalistic photographs different than the ethics of writing a news story?

The ethics of taking journalistic photos is different than the ethics of writing a news story because they both need to address accurate, detailed, serious and current information for the public. Since the form of the media is different, there are different ways to display information and present events to the reader. This means that there may be different specifics in the code that a writer follows versus the code which is followed by a photojournalist.

For example, a photojournalist may follow a code that says not to stage a photograph. Doing this can mislead the viewer, because it is a fabrication of an event, and not an actual image of that event taking place.



Did this happen in reality? Or is it a staged photograph? Viewers can make assumptions and be misled if it isn't clearly indicated.

For a writer, they won't follow that code necessarily because they are not taking pictures, they are recording an event with words. However, they will follow a code that states not to fabricate information to enhance a story. Doing this also misleads the viewer, because, like a staged photograph, it is not an accurate record of the actual event.

The form of media used is irrelevant, as long as you are capable of getting the message across in a truthful manner. Though the two are separate forms, they both still carry the same responsibilities of presenting facts, and connecting the public to the accurate occurrence of events.

What a photo does for a viewer public that differs from a written article is that it gives more of a connection with a visual and allows the reader to think more of what the photograph is trying to tell.


Let us know of your thoughts in week 9's discussion board.



Presentation by:
Nicole T. Defreitas, Justin Warsita, Andrew Wong, Libo Su,Cindy Vasques



Sources:
*(BlackBoard Course notes for Module 9 were also referred to for research of this presentation)

Saturday, 6 October 2012

Assignment 1: My Shot at Photo Manipulation

For this courses first assignment,  I found two photographs, both taken by Michael Anthony, and manipulated them to look different from the original.  Both photographs were edited in Adobe Photoshop CS6.  I titled the first one Standing Alone, and the second one Bambi Alive.  Below are the original photographs and the edited versions to compare.

"Standing Alone"

Original Photograph (by Michael Anthony)


Edited Version


This was the first photograph that I came across and I really like it.  It was very simple, but a lot could be done with it for that very reason.  The way that the girl was positioned and her staring upwards at the sky gave me the idea to make her look at something.  For this photo, I first thought about adding fireworks coming out from her chest, because her pose reminded me so much of  Katy Perry's song firework.  However, I decided to go with a darker theme, since it seemed to suit the deserted parking lot a lot better.  So I added a spider looking creature.  The spider was cut out from a different picture found online and added to the picture of the girl.  I modified the size of the spider to make it fit in with the scene and also gave it a shadow to ground it.  I also edited the colour balance, contrast, and vibrance of the whole photograph to change the mood of the scene. I then finished it off by adding a vignette around the outside of the photograph.  I wanted it to look a bit more dark and sad, almost as if to imply that what is coming next might not be so great.  This was really fun to play around with, and I really like how it turned out.




"Bambi Alive"

Original Photograph (by Michael Anthony)


Edited Version


For this second picture, I really like the picture of the deer. It is beautiful.  I had thought of many interesting ways to edit this photo, like adding weird and interesting things to the deer such as wings or antlers and even a unicorn horn (which all turned out looking ridiculous)!  What I eventually ended up doing was modifying the photo to look like a scene that could maybe remind some people of their childhood.  The deer was fortunately in the perfect pose to pull it off. I used Bambi (The adorable Disney character) as the inspiration for this photo.  I added spots to the side of the deer by playing with the blending options and also found a photo of a yellow butterfly to add on the tail of the deer (similar to one of the scenes in Bambi where a yellow butterfly lands on his tail).  I then adjusted the brightness, saturation, exposure, and colour balance to brighten the photograph and make it look more light felt and "magical" (perhaps) to match the mood from my inspiration.  I also adjusted the same things for the added butterfly and then finished it off with a vignette around the edges of the picture.  This second one was a bit harder to do than the first one, but I still think it turned out pretty interesting.  It was very fun to attempt it and seeing the final result.

Resources: